PERFORMANCES:
With English Opera Group: at the Royal Opera House, Covent Garden, at the Edinburgh Festival, Aldeburgh Festival, and in Venice and Brussels.
With Phoenix Opera Group, Park Lane Group and Handel Opera Group

SOLO RECITALS:
Wigmore Hall, and Purcell Room, London
Gstaad Festival, Switzerland
Town Hall, Toronto
Theatre Maisonneuve, Montreal
BBC Radio Three
Radio Svizzera Italiana and Radio Zurich, Switzerland

Voice clip - .mp3 format (242k) or .wav format (779k): Excerpt from "Die Zwei Blauen Augen" (Lieder eines Fahrenden Gesellen by Mahler) sung by Ron Murdock. Recorded live in a recital, Lugano, Switzerland, March 1972 with Rauel Lamer, piano.

CBC Radio in Halifax, Montreal, Ottawa and Vancouver

SOLOIST WITH:
Yehudi Menuhin conducting at the Windsor Festival and the Brighton Festival, England
Sir Neville Marriner conducting The Academy of St Martin-in-the Fields Orchestra
Gary Bertini conducting the Jerusalem Symphony
Kazimierz Kord conducting the Warsaw Philharmonic
Dr Alexander Brott conducting the Kingston (Canada) Symphony Orchestra
Jean Claude Malgoire conducting La Grande Ecurie et la Chambre du Roy, Paris
Dr Edward Higginbottom conducting the choir of New College, Oxford
Dr Edwin Loehrer conducting the orchestra of Radio Svizzera Italiana
The Netherlands Dans Theatre in Paris in performances of "Les Noces" by Stravinsky

FESTIVAL APPEARANCES: Bath, Camden (London), Israel, St Denis (Paris), Saintes, Beziers (France)
Oratorio performances throughout the UK, in Canada, France and Switzerland

REVIEWS:

Many who have grown up in the German language could take an example from Ronald Murdock's interpretation of Wolf. . .he was guided by an unerring sense of the Lied form. Der Bund, Bern, Switzerland

Searle's "Fleurs du Mal" cycle and Britten's Third Canticle provided ideal vehicles for the movingly expressive tenor timbre, faultless enunciation and musical intelligence of Ronald Murdock. Felix Aprahamian, The Sunday Times, London

. . . a virtuoso performance. Music and Musicians, London

Alongside his intelligence is an innate ability to sustain one lyrical passage after another, doing so with an interpretative flair special to him alone. The evocative manner in which he managed the broken melodic line in an altogether moving performance of Britten's "The Poet's Echo" (in Russian) was a model of impressive vocal artistry. (Wigmore Hall Recital, London.) The Daily Telegraph.

. . . expressive line. . .striking ability to project the mood with only the slightest gestures. . .expressive voice. . .very much an artist. Eric MacLean, The Montreal Gazette

. . .an attractive, clear lyrical voice. In his first aria ("Ich will bei meinem Jesu wachen" - St. Matthew Passion, Bach) he demonstrated as well an admirable precision. Globe and Mail, Toronto